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This page is dedicated to works created over different years, distinct from the main series, yet deeply connected through process and sensibility.

In these more recent pieces, there is a subtle shift in focus: from the human figure to its surrounding context. The gestural approach remains central — a perceptual path that traces the presence of the body through space, memory, and emotion. The representation of the flesh becomes less visceral, making room for a more internal gaze. Here, perception, observation, memory, and the passing of time converge, forming a layered and intimate reflection of the outer world as filtered through the inner self.

The themes that inspire these works are diverse and colourful, drawing from seemingly distant disciplines such as biology, anthropology, and philosophical aesthetics. These threads interweave, shaping the conceptual fabric of this evolving body of work.

Philosophical influences are also key: from Luigi Pareyson’s Theory of Formativity, with its emphasis on form as an expressive, evolving process, to Edmund Burke’s A Philosophical Enquiry into the Sublime and Beautiful, whose reflections on perception, awe, and emotional intensity resonate strongly throughout the series.